The Unloved, Part 131: Anatomy of Hell
With the release of Catherine Breillat’s effortlessly beautiful and scandalous “Last Summer,” the Unloved looks back at the paroxysmal end of Breillat’s second period as a filmmaker, after her abrasive 1970s output, and before her turn to fairy tales, which seemed to open her to a sensitivity she only hinted at in works as diverse as […]
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